ang Aida…

Ano ba ang Aida?

*Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a story by Auguste Mariette. It was first performed at the Khedivial Opera House in Cairo on December 24, 1871.
Ismail Pasha, Khedive of Egypt, commissioned Verdi to write the opera, paying him 150,000 francs, for performance in January 1871, but the premiere was delayed because of Franco-Prussian War. Contrary to popular belief, the opera was not written to celebrate the opening of the Suez Canal in 1869, nor that of the Khedivial Opera House. The opera was met with great acclaim when it finally opened and continues to be a staple of the standard operatic repertoire. There are many recordings of it, and it is frequently performed.

At nung last Dec. 13, 2005, we performed Aida…. Dyan lang naman sa tabi-tabi..hehe..sa school namin…

Pero syempre dahil nga high school student pa lang naman kami, hindi namin nabigyan ng ganong kalaking production ang Aida namin.

Ginawan namin ‘to ng sariling version. And take note, kami ang mga unang nilalang nanagsalin nito sa tagalog. Ang Aida ay hindi lang basta opera, talagang maituturing din na isang obra ang kanyang kwento…

*Aida is an Ethiopian princess, that is captured and brought into slavery in Egypt. A military commander, Radames, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radames is loved by the Pharaoh’s daughter Amneris, although he does not return the feeling.

Kahit na tagalog ang ginawa namin (dahil ang play na to ay para sa subject na Makabayan) pinanatili namin at pinilit na maipakita ang tunay na magandang kwento ng Aida.

Masasabing pahirapan ang nangyari. Dahil halos wala kaming alam sa kung ano ang dapat naming gawin. Hindi namin alam kung ano ang “Aida”, kung saan ito napulot at kung sino ang nag-isip na yun ang gamitin namin para sa isang school play. Isa pang bagay, ito ang first time naming gumawa ng isang musical play na ipapalabas sa buong eskwelahan.

Bago ang sem-break, pinaalam na sa amin ni Ma’am Ida, our MAPEH teacher, na magkakaroon nga ng ganitong program para sa “Makabayan” (siguro naman some of you, alam ang Makabayan). Pero hindi ko inisip o kahit na siguro ang iba ko pang classmates na magiging ganito ang Aida…ganito kahirap, kasaya, kaganda…

Nung una nag dadalawang isip ako sa play na ‘to. Kasi naman talagang kami lang ang pinapagawa ng lahat-lahat…pero ayos din…kasi madami naman kaming natutuhan..hindi ba?…

*Aida was later used as the basis and title of a musical drama in two acts from Disney Theatrical with music by Elton John, lyrics by Tim Rice, and book by Linda Woolverton, Robert Falls, and David Henry Hwang. The Broadway production ran in the Palace Theatre between 2000 and 2004.

Oh di ba? Talagang sikat ang Aida…haha… At eto nga yun… kung may Disney Theatrical meron din namang Adelfianz Theatrical…kami na nga yun… Sayang nga lang at isang beses lang namin itong ipenerform…at halos wala man lang kaming mga pictures ng naturang musical play. Nakakalungkot na maaaring pagkatapos ng palabas ay natapos na rin ang pantasya sa Aida.

*Binalak na rin ng Disney na isa-pelikula ang Aida…pero nahinto ang production sa hindi malamang kadahilanan… Masasabi kong…SAYANG!Sa minsang pagreresearch ko dito sa internet about the opera Aida…heto yung iba pang impormasyon na nakuha ko….

***Aida the opera

ACT I
Scene I: A hall in the king’s palace; through the rear gate the pyramids and temples of Memphis are seen.
Aida, the daughter of the Ethiopian King Amonasro, lives at Memphis as a slave. Her Egyptian captors are unaware of her true identity. Her father has made an incursion into Egypt to deliver her from servitude. But since her capture, Aida has fallen in love with Radames, a young warrior (Romanza, Radames: “Heavenly Aïda”). She has a dangerous rival in Amneris, the daughter of the Egyptian king. (Duet, Radames, Amneris: “In thy visage I trace.”) Incited by Amneris, the high priest Ramfis (Terzett, Aida, Amneris and Radames: “Oh fate o’er Egypt looming”) declares that Radames has been selected by Isis to be the leader of the army against Amonasro. (Battle Hymn: “On ! Of Nilus’ sacred river, guard the shores.”) Aida’s heart is torn between her love for her father and her love for Radames. (Scene, Aïda: “Return a conqueror.”)
Scene II: Temple of Vulcan. In the center an altar illuminated by a mysterious light from above.
Solemn ceremonies and dance of priestesses. (Chorus of priestesses: “O mighty Ptha.”) Installation of Radames to the office of commander-in-chief. (Prayer, Ramfis and chorus: “O mighty one, guard and protect!”)

ACT II
Scene I: A hall in Amneris’ apartment.
Amneris’ chamber. Festal dances and music. (Chorus of women: “Our songs his glory praising.”) Amneris receives her slave Aida and cunningly tricks her into professing her love for Radames by lying and declaring that Ramades has fallen in battle. Aida’s distress upon hearing this news betrays her love of Radames. (Scene and duet, Amneris, Aida: “The chances of war afflict thy people, poor Aida;” Aida: “O love, O joy tormenting.”)
Scene II: Outside the city walls at the grand Gate of Thebes.
Radames returns victorious. (Chorus, king and people: “Glory to Egypt, to Isis!”) Grand triumphal march. The Egyptian king decrees that on this day the triumphant Radames may have anything he wishes. The Ethiopian captives are marched in. Amonasro appears among them. Aida immediately rushes to her father, but their true identities are still unknown to the Egyptians. Amonasro declares that the Ethiopian king has been slain in battle. (Amonasro: “This my garment has told you already.”) Out of his love for Aida, Radames uses the King’s grant to release the prisoners. The grateful King of Egypt declares him his successor and the betrothed of his daughter. Aida and Amonasro remain as hostages to ensure that the Ethiopians do not avenge their defeat.

ACT III.
Scene: On the banks of the Nile, near the temple of Isis.
(Chorus of priests and priestesses: “O thou who to Osiris art…”) Amonasro and Aida are held as hostages (Aria, Aida: “Oh, my dear country!”) and he forces her to learn from Radames the position of the Egyptian army. (Duet, Aida, Amonasro: “Once again shalt thou gaze.”) Radames has only seemingly consented to become the husband of Amneris, and is persuaded through love for Aida to give her the information required by her father. (Duet, Radames, Aida: “Again I see thee.”) When Amonasro reveals his identity and flees with Aida, the despairing Radames allows himself to be taken prisoner. (Terzett, Amonasro, Aida, Radames: “I am dishonoured.”)

ACT IV.
Scene I: A hall in the Temple of Justice. To one side is the door leading to Radames’ prison cell.
Amneris (Scene, Amneris: “My hated rival has escaped me”) desires to save Radames, but he repulses her (Duet, Amneris, Radames: “Now to the hall the priests proceed”). His trial takes place offstage; he will not speak in his own defense, and is condemned to death, while Amneris, who remains onstage, pleads with the priests to show him mercy. The sentence is that he shall be buried alive. Amneris curses the priests as Radames is taken away. (Judgment scene, Amneris, Ramfis and chorus: “Heavenly spirit, descend.”)
Scene II: The lower portion of the stage shows the burial place in the temple of Vulcan; the upper portion represents the temple itself.
Aida has hidden herself in the crypt to die with Radames. (Scene and duet, Radames, Aida: “The fatal stone now closes over me.”) They accept their terrible fate (Radames: “To die, so pure and lovely”), bid farewell to earth and its sorrows, and await the Dawn, while Amneris weeps and prays above their tomb in the midst of the priestly ceremonies, and the jubilant dance of the priestesses. (Finale, chorus of priests and priestesses: “Almighty Ptha.”)

Sa Wiki ko yan nakuha…
Kung gusto n’yo….daan din kayo dun…
Ayos dun magbasa-basa…

Madami pa kong gustong i-share…pero hindi naman pwedeng isang post lang…hehe…tsaka gusto ko sanang hanapin, kung meron ako, yung copy ng script na ginamit namin sa Aida last December….sana makita ko yun…